Three holdover hits — Resident Evil, Heart of the Beast, and Primetime — managed to outperform the divisive new movie starring Tom Cruise, Digger. Directed by two-time Oscar winner Alejandro G. Iñárritu, the satirical epic is shaping up to be a historic bomb, and the circumstances surrounding its release seem appropriately dour. Digger is the final movie in Warner Bros.’ century-long run as an independent entity, and the last to be released under the leadership of the dismissed studio chiefs Pam Abdy and Michael De Luca. Produced on a budget that has been reported to be anywhere between $140 million and $180 million, the movie was projected as an Oscar play for Cruise, but its mixed critical reception and disastrous box-office results may dent his chances.
Also featuring Sandra Hüller, Riz Ahmed, John Goodman, Michael Stuhlbarg, and Jesse Plemons, the film follows an oil magnate whose recklessness causes a global catastrophe. The film currently holds a 52% score on the aggregator website Rotten Tomatoes, where the consensus reads, “A stylized satire whose audacious design proves too mannered for some of the laughs to smoothly land, Digger is a bold swing of the shovel by Tom Cruise and Alejandro González Iñárritu that misses as often as it strikes gold.” Audiences gave it a C+ grade on CinemaScore, which pretty much spells doom.
Collider Exclusive · 8 Questions · 2 Minutes Which Coen Brothers Movie Would You Thrive In? Lebowski · O Brother · Fargo · No Country
Nobody writes people like the Coen brothers. The decent ones. The talkers. The ones who stopped trying years ago. And the ones who can already see how bad this is going to get. Four films, four completely different ways of handling trouble. Eight questions decide which one you would actually walk out of.
🎳Lebowski(1998)
🎸O Brother(2000)
❄️Fargo(1996)
🪙No Country(2007)
01
A bag of money lands in your lap. What happens next? Every Coen film starts roughly here. It never goes smoothly.
02
Somebody is being completely unreasonable with you. How does it go? Coen dialogue is mostly people failing to understand each other.
03
What is your actual relationship with work? Everyone in these films is either working far too hard or not at all.
04
Long drive, bad weather, nobody else on the road. How are you? There is always a drive in these films. It is never a good drive.
05
You are offered a shortcut that is not quite legal. This is the moment where the Coens find out who you really are.
06
The plan has fallen apart completely. What is your move? In a Coen film the plan always falls apart. That is the genre.
07
Which of these sounds most like something you would say? Nobody writes a line quite like the Coens. Which one is yours?
08
How does your film end? Eight questions in, this is the one that decides your movie.
The Verdict Is In Your Coen Film Is…
Four films, four completely different ways of handling money, trouble
and other people. This is the one you would survive, why it suits you, and what it would cost you to
be there.
The Big Lebowski · 1998
The Big Lebowski
You have quietly arranged your life so that very little can get
to you, and a surprising number of people find that infuriating. You would be completely at
home here.
The Dude is the only person in the film with no ambition, and the only one who comes out
the other side undamaged. That is not an accident.
You do not chase things. You let situations arrive and you deal with them at your own
pace, which is a genuine skill however lazy it looks.
This is a full crime plot happening around a man who mostly wants his rug back, and that
is exactly the energy you would bring to it.
Everything goes wrong. You abide. The film ends.
O Brother, Where Art Thou? · 2000
O Brother
You talk your way through life and it works far more often than
it should. Give you a bad situation and an audience and you will find a way out of both at
once.
Everett never has a plan that survives contact with reality. He has something better,
which is the ability to keep talking until a new one turns up.
You are the optimist in the group, the one who makes a ridiculous idea sound reasonable
at two in the morning.
This is the warmest film the Coens have made. It is a chase, a comedy and a musical at
once, and nobody in it is quite beyond saving.
You would end up famous entirely by accident, and act like you planned it all along.
Fargo · 1996
Fargo
You would survive Fargo because you are the only kind of person
who does: patient, decent, and completely unimpressed by anybody trying to be clever.
Marge Gunderson solves the whole case by being polite, thorough and unhurried while
everybody around her panics. That is the entire argument of the film.
You do the boring parts of the job, which is precisely why you would notice the thing
everyone else walked straight past.
Fargo is about ordinary greed causing enormous damage, and about one person who simply
refuses to be corrupted by any of it.
You would go home at the end of it, have dinner, and sleep perfectly well.
No Country for Old Men · 2007
No Country
You do not expect the world to be fair and you stopped being
surprised about it a long time ago. That clear-eyed quality is exactly what this film asks
for.
No Country is the Coens at their coldest: a film where being smart, fast and careful
might still not be anywhere near enough.
You plan for the worst, you keep your own counsel, and some part of you is already
working out the exit.
Llewelyn Moss is competent, prepared and resourceful, and the film is honest about
whether any of that is ever sufficient.
You would see it coming. Whether that helps is the one question the film refuses to
answer.
Here’s How Much ‘Digger’ Grossed this Weekend
Digger grossed approximately $8 million domestically in its first weekend, which is the lowest opening of a Cruise-led movie in nearly two decades. Even the notorious bomb Rock of Ages managed to generate $12 million in its first frame. Cruise’s previous low was the $6.7 million debut of Lions for Lambs in 2007, but that movie cost around $35 million to produce and eventually doubled its budget globally. Digger, on the other hand, made less than $20 million worldwide this weekend — for context, it’s shaping up to be a bigger misfire than fellow W.B. arthouse tentpole Joker: Folie à Deux. Cruise is coming off two underperforming Mission: Impossible movies — Mission: Impossible — Dead Reckoning and Mission: Impossible — The Final Reckoning — and will next return to his roots with a sequel to Days of Thunder. Stay tuned to Collider for more updates.
Release Date
October 2, 2026
Runtime
128 minutes
Director
Alejandro González Iñárritu
Writers
Alejandro G. Iñárritu, Sabina Berman, Alexander Dinelaris, Nicolás Giacobone
Producers
Alejandro G. Iñárritu, Mary Parent, Michael Sharp, Tom Cruise
