“I wanna rob.” Hip cocked, midriff bared, cigarette pressed between her lips, Emma Watson’s indelible plea to “visit” Paris (as in Hilton) encapsulates the perfect inside-baseball deadpan of Sofia Coppola’s crime saga — not least because Hilton opened up her Mulholland Estates home for scenes of the Bling Ring burglarizing it. No film crystallizes the shallow, amoral bluff of Hollywood’s high-tabloid era with such icy precision, from the flat affect of the teenage protagonists to the late Harris Savides’ minimalist digital photography. Largely misunderstood upon its release, “The Bling Ring” now registers as an incisive comedy of manners for a society of influencers just then being born.

Posted inBlog
