Death, taxes, and an endless stream of Sherlock Holmes adaptations — these are the realities of life. In the last couple of decades, fans have received Guy Ritchie’s swashbuckling film series starring Robert Downey Jr., his more recent Young Sherlock show on Prime Video, an Enola Holmes trilogy on Netflix, and the acclaimed modern-day reimagining starring Benedict Cumberbatch. There have been other adaptations of Sir Arthur Conan Doyle’s legendary stories, but one movie often slips under the radar for several reasons. For starters, it was critically panned and commercially unsuccessful, but more importantly, audiences had simply too many alternatives to choose from. That said, the overlooked Sherlock Holmes adaptation is now available to stream for free to those who have the courage to check it out.
It was released in 2018, only three years after Mr. Holmes, in which Ian McKellen played an aging Sherlock who must solve his final case while combating a deteriorating mind. The acclaimed BBC series starring Cumberbatch had ended its run only a year earlier. In other words, the appetite for new Sherlock Holmes content was still alive. However, the 2018 movie ended up grossing $42 million worldwide against a reported budget in a similar range, proving that audiences weren’t going to turn up for every adaptation. It must be mentioned that this movie wasn’t a classic take on the material at all; in fact, it appeared to be presenting the character as if he exists in the world of Borat.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Here’s Where You Can Watch the Critically Panned Sherlock Holmes Movie for Free
We’re talking about Holmes & Watson, starring Will Ferrell and John C. Reilly. The duo had previously proven their chemistry in cult hit comedy films such as Talladega Nights: The Ballad of Ricky Bobby and Step Brothers. Holmes & Watson wasn’t able to continue the successful streak, earning a poor 10% score on Rotten Tomatoes. The aggregator website’s consensus reads, “The lowest and vilest alleys in London do not present a more dreadful record of the adventures of Sherlock Holmes and Dr. Watson than does Holmes and Watson.” The movie had quite a stacked cast, including Rebecca Hall, Rob Brydon, Bella Ramsey, Ralph Fiennes, Hugh Laurie, and Steve Coogan. Coogan hilariously said a year after the film’s release, “In 20 years’ time, when all the dust has settled and people are able to look at that film objectively, they’ll still think it’s shit.” You can watch Holmes & Watson on Pluto TV this month, and stay tuned to Collider for more updates.
